{"id":443,"date":"2022-03-04T14:47:59","date_gmt":"2022-01-21T12:17:39","guid":{"rendered":"https:\/\/www.schoene-aussicht.org\/2022\/begegnungen-2\/"},"modified":"2022-04-05T19:17:33","modified_gmt":"2022-04-05T17:17:33","slug":"encounters","status":"publish","type":"page","link":"https:\/\/www.schoene-aussicht.org\/2022\/en\/encounters\/","title":{"rendered":"Encounters"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-443","page","type-page","status-publish","hentry"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n \"0\",\r\n \"0\",\r\n \"0\",\r\n \"0\",\r\n \"0\",\r\n \"0\",\r\n \"0\",\r\n \"0\",\r\n \"0\"\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 5,\r\n \"rightFrameMargin\": 5,\r\n \"topFrameMargin\": 40,\r\n \"bottomFrameMargin\": 0,\r\n \"rowAttrs\": [\r\n {\r\n \"html_id\": \"festivalphilosophinnen\"\r\n },\r\n {\r\n \"html_id\": \"new-generation\",\r\n \"classes\": \"pink-box\"\r\n },\r\n {\r\n \"row100vh\": true,\r\n \"html_id\": \"schoener-campus\"\r\n },\r\n {\r\n \"bgcolor\": \"#ffa8be\",\r\n \"row100vh\": true,\r\n \"bgimageopacity\": 100,\r\n \"html_id\": \"die-schoenen-gespraeche\"\r\n },\r\n {},\r\n {\r\n \"html_id\": \"moment-mal\"\r\n },\r\n {},\r\n {},\r\n {},\r\n {\r\n \"row100vh\": true,\r\n \"html_id\": \"schoenes-feiern\"\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/01\/Lipstick2_HD.png\",\r\n \"align\": \"middle\",\r\n \"row\": 0,\r\n \"col\": 1,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1.3,\r\n \"push\": 1,\r\n \"relid\": 148,\r\n \"attid\": 36,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/01\/Lipstick2_HD.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/01\/Lipstick2_HD-768x768.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/01\/Lipstick2_HD-512x512.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/01\/Lipstick2_HD-265x265.png\"\r\n },\r\n \"w\": 911,\r\n \"h\": 911,\r\n \"ar\": 1,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The Festival Philosophers<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 12,\r\n \"classes\": \"marker-5\",\r\n \"html_id\": \"festivalphilosophinnen\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 1,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 11\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

A group of theatre-loving children and young people between the ages of 10 and 15 will once again accompany BRIGHT VIEW this year. They will watch most of the international guest performances together, talk about them, and artistically process and share their thoughts and impressions via short replays. The festival philosophers will come into contact with the artists and the audience and leave their mark on the festival \u2013 sometimes in the form of small poems that suddenly appear on walls or windows, sometimes in the form of paper planes with thought impulses that suddenly swoop into the courtyard, and sometimes the philosophers will mingle with the audience and initiate conversations. We are already looking forward to the interventions and encounters with this year's festival philosophers!<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 10\r\n }\r\n ],\r\n \"align\": \"middle\",\r\n \"row\": 0,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 9,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

New Generation<\/span><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 16\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 1,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 15,\r\n \"classes\": \"whiteline\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

New Generation. New. What is that \u2013 new? Until now, the programme was called Next Generation. For the next generation of theatre-makers and theatre-thinkers. Next is always different from previous, which sounds finished or almost finished somehow. New is a departure, an openness to do something different right from the start, something without the competitive comparison to the existing. That's why it's new, this New Generation.<\/span><\/p>

The times we live in demand that we always think anew; that we try something new. The new is exciting. The new is exhausting. Above all, the new is always uncertain.<\/span><\/p>

The New Generation at the BRIGHT VIEW 2022 festival searches for the new in the known. Ten unknown theatre-makers from different countries get to know each other, (discover) new languages, throw themselves into the unknown with abandon and explore the new.<\/span><\/p>

Direction: Frederic Lilje<\/span><\/p>

As a theatre maker - performer\/dramaturg\/mediator \u2013 he acknowledges the many \/\/\/ and begins to embrace them with abandon. If you can't fake it: feature it. In keeping with this motto, his projects and thoughts move between performative social investigations and yearning, theatrical excursions into the imagination.<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 1.5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 14\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/white-logo-deutscher-buehnenverein.png\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 580,\r\n \"attid\": 285,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/white-logo-deutscher-buehnenverein.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/white-logo-deutscher-buehnenverein-265x70.png\"\r\n },\r\n \"w\": 300,\r\n \"h\": 79,\r\n \"ar\": 0.2633333333333333,\r\n \"alt\": \"\"\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 13,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/01\/Lipstick1_HD.png\",\r\n \"align\": \"middle\",\r\n \"row\": 1,\r\n \"col\": 10,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 5,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.3,\r\n \"push\": 3,\r\n \"relid\": 150,\r\n \"attid\": 35,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/01\/Lipstick1_HD.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/01\/Lipstick1_HD-512x899.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/01\/Lipstick1_HD-265x465.png\"\r\n },\r\n \"w\": 588,\r\n \"h\": 1032,\r\n \"ar\": 1.7551020408163265,\r\n \"alt\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Bright Campus<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 20,\r\n \"classes\": \"marker-1\",\r\n \"html_id\": \"schoener-campus\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 1,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 19\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Student Exchange at the festival<\/p>

3 different universities
4 different degrees
40 different perspectives on theatre<\/p>

As part of BRIGHT CAMPUS, drama students from the Stuttgart University of Music and Performing Arts will meet students of \\\"Cultural Education\\\" from the Ludwigsburg University of Education and students of \\\"Cultural Studies and Aesthetic Practice\\\" and \\\"Staging the Arts and Media\\\" from the University of Hildesheim.Accompanied by their respective lecturers Frederik Zeugke, Tanja Frank and Prof. Dr. Maike Gunsilius, they experience productions for young audiences for a week, exchange ideas and get to know each other.<\/p>

How can we talk about theatre? What perspectives and themes are important to us? Through which lenses do we see the world? And what (artistic) ways and formats can we find to get into an exchange with each other at all?<\/p>

First semester drama meets Master's in Cultural Education, dramaturgy meets theatre education \u2013mutual workshops make the respective professions tangible.<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 18\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 1,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 17\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/01\/Erdm_HD.png\",\r\n \"align\": \"middle\",\r\n \"row\": 2,\r\n \"col\": 8,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 5,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.2,\r\n \"push\": 2,\r\n \"relid\": 152,\r\n \"attid\": 31,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/01\/Erdm_HD.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/01\/Erdm_HD-512x591.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/01\/Erdm_HD-265x306.png\"\r\n },\r\n \"w\": 722,\r\n \"h\": 834,\r\n \"ar\": 1.1551246537396123,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Bright Talks<\/h1>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8,\r\n \"html_id\": \"die-schoenen-gespraeche\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 1,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Let\u2019s talk about...!<\/p>

BRIGHT TALKS invites all festivalgoers to experience and gain insights into the working methods of international artists: How can participatory formats be developed and rehearsed? How is a production created for three different target groups? And what distinguishes \\\"community theatre\\\" from other forms of theatre?<\/p>

We asked three artists from our invited guest performances to participate, and look forward to talking to Seppe Baeyens from Belgium, Jennie Reznek from South Africa and Natasha Gilmore from the UK. Grab a drink and join us!<\/p>

The talks will be in English.
Admission to all talks is free.
Location: FITZ Saal<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4\r\n }\r\n ],\r\n \"align\": \"middle\",\r\n \"row\": 3,\r\n \"col\": 1,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 5,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

MATCHING EVENTS:<\/span><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 24,\r\n \"classes\": \"date schoene-gespraeche\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

MON MAY 9TH 12PM - 1PM<\/span><\/h1>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 29,\r\n \"classes\": \"date schoene-gespraeche\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Bright Talk I: Participatory Work<\/a><\/h1>

With: Seppe Baeyens (with Ultima Vez \\\"Birds\\\"), Belgium<\/a><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 30,\r\n \"classes\": \"event event-rahmenprogramm event-grey\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

THU MAY 12TH<\/span> 4PM - 5PM<\/span><\/span><\/h1>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 31,\r\n \"classes\": \"date schoene-gespraeche\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Bright Talk II: Community Theatre<\/a><\/h1>

With Jennie Reznek (Magnet Theatre \\\"Stone Play\\\"), South Africa<\/a><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 32,\r\n \"classes\": \"event event-rahmenprogramm event-grey shadow\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

FRI MAY 13TH<\/span> 3PM - 4PM<\/span><\/span><\/h1>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 35,\r\n \"classes\": \"date schoene-gespraeche\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Bright Talk III: My Audience and I<\/a><\/h1>

With Natasha Gilmore (Barrowland Ballet \\\"Tiger \/ Tiger Tale \/ Playful Tiger\\\"), Great Britain<\/a><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 28,\r\n \"classes\": \"event event-rahmenprogramm event-grey\"\r\n }\r\n ],\r\n \"align\": \"middle\",\r\n \"row\": 3,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 26,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

kitchen table conversation<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 39,\r\n \"classes\": \"marker-3\",\r\n \"frameOverflow\": \"\",\r\n \"html_id\": \"kitchen-table-conversation\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 1,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 40\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

A conversation about theatre<\/strong>.
Hosted by teenagers associated with JES and Sch\u00f6ne Aussicht, as well as TEEN Ambassadors from Denmark and Italy.<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 1,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 41\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The kitchen table conversations are an activity developed by the Theatre European Engagement Network (T.E.E.N.) run by Segni d\u2019infanzia (Italy), Cultuurcentrum Hasselt (Belgium), Dialogue Community Performance (UK), \u201dla Caixa\u201d Foundation (Spain), Scenekunstbruk (Norway) and Teatercentrum (Denmark) the program was Co-founded by the Creative Europe Programme of the European Union and since 2019 have been held at festivals all over Europe.<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 1.5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 44\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Find out more<\/a><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 45,\r\n \"classes\": \"buttonstyle\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The conversation will be held in English.
Saturday 14th of May 2022 at 10:00h in the kitchen.
CLOSED ENCOUNTER \u2013 INVITATION ONLY \u2013 VERY LIMITED CAPACITY
To attend the kitchen table conversation as an audience member you have to be invited by the hosts.<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1.5,\r\n \"spacebelow\": 1.5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 42\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/logo-teen.png\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 548,\r\n \"attid\": 266,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/logo-teen.png\"\r\n },\r\n \"w\": 204,\r\n \"h\": 128,\r\n \"ar\": 0.6274509803921569,\r\n \"alt\": \"\"\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 1,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 27\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

TEEN Kitchen Table Manifesto (written by the TEEN Ambassadors)<\/span><\/h1>

Rule One
<\/strong>The room must be set out to resemble a kitchen table.<\/span><\/p>

Rule Two
<\/strong>There has to be food at the Kitchen Table.<\/span><\/p>

Rule Three
<\/strong>The moderator should be a Teenager.<\/span><\/p>

Rule Four
<\/strong>The Teenagers are the experts and the adults in the audience are the students.<\/span><\/p>

Rule Five
<\/strong>Whilst it is important that the audience is involved, the discussion should focus on the opinion of the Teenagers, so adults should listen and raise their hand if they want to talk. There may be a spare seat at the table which the Teenagers can use for inviting adults to the table, if they wish.<\/span><\/p>

Rule Six
<\/strong>Comments from the audience should last no longer than three minutes, unless it is agreed upon by the teenagers to grant the speaker more time.<\/span><\/p>

Rule Seven
<\/strong>Opinions should be supported by experiences, or at least examples.<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 4,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 43,\r\n \"classes\": \"blue-box\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/01\/Antilopen_HD.png\",\r\n \"align\": \"middle\",\r\n \"row\": 5,\r\n \"col\": 1,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.2,\r\n \"push\": 1,\r\n \"relid\": 418,\r\n \"attid\": 30,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/01\/Antilopen_HD.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/01\/Antilopen_HD-512x816.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/01\/Antilopen_HD-265x423.png\"\r\n },\r\n \"w\": 629,\r\n \"h\": 1003,\r\n \"ar\": 1.5945945945945945,\r\n \"alt\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

HOLD ON - Bright and other thoughts<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 38,\r\n \"classes\": \"marker-3\",\r\n \"html_id\": \"moment-mal\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 1,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 37\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Dear audience,<\/p>

at Bright View, a lot takes place not only onstage but also in our heads \u2013 new impulses or images that are familiar but long forgotten can set many thoughts and feelings into motion in the blink of an eye. And it is precisely this moment that I would like to capture. Be it a new thought, a surprising feeling or questions that you would like to explore more deeply after a performance.<\/p>

To make sure that these special moments are heard and captured, I am available in the short breaks between performances as a mental sparring partner to exchange thoughts and ideas. I look forward to meeting you at the Agora and listening to your thoughts!<\/p>

Kind regards
Meryem<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 1.5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 34\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The spoken word artist attends and observes <\/span>the festival. Every day she shares <\/span>a text about what she saw, thought and <\/span>spoke about.<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 1.5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 46\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Visit the Padlet<\/a><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 47,\r\n \"classes\": \"buttonstyle\"\r\n }\r\n ],\r\n \"align\": \"middle\",\r\n \"row\": 5,\r\n \"col\": 6,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 36,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

BRIGHT DESCRIPTION \u2013 Sharpen the critical eye<\/span><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 48,\r\n \"classes\": \"marker-1\",\r\n \"html_id\": \"schoenes-beschreiben\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 2,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 1,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 50\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Theatre criticism is an endangered art. The reviews in newspapers, magazines or radio are becoming fewer and shorter. As a result, an important component of communication about theatre \u2013 criticism as part of the public discourse on the art of theatre and as a mirror of our artistic work \u2013 increasingly recedes into the background. There are equivalents in social media or in blogs, but far too few and often not yet fully developed. As a reaction to this development, Manfred Jahnke offers a practical seminar in theatre criticism for volunteers of the regional media at BRIGHT VIEW. A similar intensive seminar was successfully held under his direction at the Panoptikum Festival in Nuremberg in February. The seminar will give a basic insight into theatre as an institution, the history of children's theatre and the theory and practice of writing reviews. And in addition includes attending selected guest performances at the festival, sharing what has been seen, talking to performing artists and finally writing and discussing sample reviews. <\/span><\/p>

Manfred Jahnke is an institution in German- language theatre for young audiences, a freelance theatre scholar, theatre teacher, dramaturgy consultant and, above all, a theatre critic (e.g. Die Deutsche B\u00fchne) with a focus on theatre for young audiences for many years.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 2,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 49,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Bright Celebrations<\/span><\/h1>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 22\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 1,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 23,\r\n \"classes\": \"whiteline\"\r\n },\r\n {\r\n \"type\": \"elementgrid\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 9,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"config\": {\r\n \"desktop\": {\r\n \"colCount\": 2,\r\n \"colGutter\": 5,\r\n \"rowGutter\": 5\r\n },\r\n \"tablet\": {\r\n \"colCount\": 2,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 1\r\n },\r\n \"phone\": {\r\n \"colCount\": 1,\r\n \"colGutter\": 10,\r\n \"rowGutter\": 10\r\n },\r\n \"layoutType\": \"top-aligned\",\r\n \"elements\": [\r\n {\r\n \"cont\": \"

THE BRIGHT OPENING - Festival Opening<\/span><\/h1>

Festival Opening on Sunday May 8th, 2022, at 5pm in the JES Hall<\/span>
Free of charge - registration is required.<\/span><\/p>

Welcome to the JES!<\/span><\/p>

At the festive opening ceremony, the festival directors Brigitte Dethier and Christian Sch\u00f6nfelder, as well as the Secretary of State for Culture of Baden-W\u00fcrttemberg Petra Olschowski and the Mayor of Stuttgart Dr. Frank Nopper will answer the festival philosophers\u2019 questions. Over a glass of juice, different generations will engage in a conversation about theatre for young audiences.<\/span><\/p>

The opening ceremony will be accompanied musically by players from the \\\"hotel europa\\\" ensemble and friends.<\/span><\/p>

Afterwards we will all make a toast to an exuberant and inspiring festival!<\/span> <\/p>\",\r\n \"type\": \"text\"\r\n },\r\n {\r\n \"cont\": \"

FIRST SIGHT \u2013 Opening Party<\/span><\/h1>

on Sunday May 8th, 2022, from 9pm in the JES Foyer<\/span><\/p>

Live concert with Shelly Phillips and band: The German-American singer\/songwriter tells stories from real life, of its small joys and big pains. Modern pop sound with soul, jazz and electronic influences \u2013 great live music with lots of levity and heart.<\/span><\/p>

Afterwards, we plunge head over heels into our first festival date: love at first beat. Palpitations, sweaty palms ... do you come here often? We let ourselves be carried away by music from the jukebox - compiled by Anna-Lena Hitzfeld and Sebastian Brummer aka HotHotHitzlefd and Beasty Brummer. Music was my first love, but the first cut is also the deepest...<\/span><\/p>\",\r\n \"type\": \"text\"\r\n },\r\n {\r\n \"cont\": \"

FOREVER YOURS - Festival love live<\/span><\/h1>

The big festival closing party on Saturday May 14th, 2022, from 9:30pm<\/span><\/p>

I can't live, if living is without you... cause all of me loves all of you, love your curves and all your edges, all your perfect imperfections - is this burning an eternal flame? <\/span>
The latest edition of the legendary festival Liebesleben: HotHotHitzlefd and Beasty Brummer give it their all. Don't leave me this way! We hate goodbyes, so we're going party to the fullest again. 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The Festival Philosophers<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 15,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 12,\r\n \"classes\": \"marker-5\",\r\n \"html_id\": \"festivalphilosophinnen\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 11,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

A group of theatre-loving children and young people between the ages of 10 and 15 will once again accompany BRIGHT VIEW this year. They will watch most of the international guest performances together, talk about them, and artistically process and share their thoughts and impressions via short replays. The festival philosophers will come into contact with the artists and the audience and leave their mark on the festival \u2013 sometimes in the form of small poems that suddenly appear on walls or windows, sometimes in the form of paper planes with thought impulses that suddenly swoop into the courtyard, and sometimes the philosophers will mingle with the audience and initiate conversations. We are already looking forward to the interventions and encounters with this year's festival philosophers!<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 15,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 10\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

New Generation<\/span><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 16\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 15,\r\n \"classes\": \"whiteline\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

New Generation. New. What is that \u2013 new? Until now, the programme was called Next Generation. For the next generation of theatre-makers and theatre-thinkers. Next is always different from previous, which sounds finished or almost finished somehow. New is a departure, an openness to do something different right from the start, something without the competitive comparison to the existing. That's why it's new, this New Generation.<\/span><\/p>

The times we live in demand that we always think anew; that we try something new. The new is exciting. The new is exhausting. Above all, the new is always uncertain.<\/span><\/p>

The New Generation at the BRIGHT VIEW 2022 festival searches for the new in the known. Ten unknown theatre-makers from different countries get to know each other, (discover) new languages, throw themselves into the unknown with abandon and explore the new.<\/span><\/p>

Direction: Frederic Lilje<\/span><\/p>

As a theatre maker - performer\/dramaturg\/mediator \u2013 he acknowledges the many \/\/\/ and begins to embrace them with abandon. If you can't fake it: feature it. In keeping with this motto, his projects and thoughts move between performative social investigations and yearning, theatrical excursions into the imagination.<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 14\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/white-logo-deutscher-buehnenverein.png\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 580,\r\n \"attid\": 285,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/white-logo-deutscher-buehnenverein.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/white-logo-deutscher-buehnenverein-265x70.png\"\r\n },\r\n \"w\": 300,\r\n \"h\": 79,\r\n \"ar\": 0.2633333333333333,\r\n \"alt\": \"\"\r\n }\r\n ],\r\n \"align\": \"middle\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 33\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/01\/Lipstick1_HD.png\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1.1,\r\n \"push\": 6,\r\n \"relid\": 150,\r\n \"attid\": 35,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/01\/Lipstick1_HD.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/01\/Lipstick1_HD-512x899.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/01\/Lipstick1_HD-265x465.png\"\r\n },\r\n \"w\": 588,\r\n \"h\": 1032,\r\n \"ar\": 1.7551020408163265,\r\n \"alt\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Bright Campus<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 20,\r\n \"classes\": \"marker-1\",\r\n \"html_id\": \"schoener-campus\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Student Exchange at the festival<\/p>

3 different universities
4 different degrees
40 different perspectives on theatre<\/p>

As part of BRIGHT CAMPUS, drama students from the Stuttgart University of Music and Performing Arts will meet students of \\\"Cultural Education\\\" from the Ludwigsburg University of Education and students of \\\"Cultural Studies and Aesthetic Practice\\\" and \\\"Staging the Arts and Media\\\" from the University of Hildesheim.Accompanied by their respective lecturers Frederik Zeugke, Tanja Frank and Prof. Dr. Maike Gunsilius, they experience productions for young audiences for a week, exchange ideas and get to know each other.<\/p>

How can we talk about theatre? What perspectives and themes are important to us? Through which lenses do we see the world? And what (artistic) ways and formats can we find to get into an exchange with each other at all?<\/p>

First semester drama meets Master's in Cultural Education, dramaturgy meets theatre education \u2013mutual workshops make the respective professions tangible.<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 18\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/01\/Erdm_HD.png\",\r\n \"align\": \"bottom\",\r\n \"row\": 8,\r\n \"col\": 4,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1.1,\r\n \"push\": 4,\r\n \"relid\": 152,\r\n \"attid\": 31,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/01\/Erdm_HD.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/01\/Erdm_HD-512x591.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/01\/Erdm_HD-265x306.png\"\r\n },\r\n \"w\": 722,\r\n \"h\": 834,\r\n \"ar\": 1.1551246537396123,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Bright Talks<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 9,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8,\r\n \"frameOverflow\": \"\",\r\n \"html_id\": \"die-schoenen-gespraeche\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": 10,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 19,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Let\u2019s talk about...!<\/p>

BRIGHT TALKS invites all festivalgoers to experience and gain insights into the working methods of international artists: How can participatory formats be developed and rehearsed? How is a production created for three different target groups? And what distinguishes \\\"community theatre\\\" from other forms of theatre?<\/p>

We asked three artists from our invited guest performances to participate, and look forward to talking to Seppe Baeyens from Belgium, Jennie Reznek from South Africa and Natasha Gilmore from the UK. Grab a drink and join us!<\/p>

The talks will be in English.
Admission to all talks is free.
Location: FITZ Saal<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 11,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

MATCHING EVENTS:<\/span><\/h1>\",\r\n \"align\": \"bottom\",\r\n \"row\": 12,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 24,\r\n \"classes\": \"date schoene-gespraeche\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

MON MAY 9TH 12PM - 1PM<\/span><\/h1>\",\r\n \"align\": \"bottom\",\r\n \"row\": 13,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 29,\r\n \"classes\": \"date schoene-gespraeche\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Bright Talk I: Participatory Work<\/a><\/h1>

With: Seppe Baeyens (with Ultima Vez \\\"Birds\\\"), Belgium<\/a><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 14,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 30,\r\n \"classes\": \"event event-rahmenprogramm event-grey\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

THU MAY 12TH<\/span> 4PM - 5PM<\/span><\/span><\/h1>\",\r\n \"align\": \"bottom\",\r\n \"row\": 15,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 31,\r\n \"classes\": \"date schoene-gespraeche\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Bright Talk II: Community Theatre<\/a><\/h1>

With Jennie Reznek (Magnet Theatre \\\"Stone Play\\\"), South Africa<\/a><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 16,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 32,\r\n \"classes\": \"event event-rahmenprogramm event-grey shadow\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

FRI MAY 13TH<\/span> 3PM - 4PM<\/span><\/span><\/h1>\",\r\n \"align\": \"bottom\",\r\n \"row\": 17,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 35,\r\n \"classes\": \"date schoene-gespraeche\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Bright Talk III: My Audience and I<\/a><\/h1>

With Natasha Gilmore (Barrowland Ballet \\\"Tiger \/ Tiger Tale \/ Playful Tiger\\\"), Great Britain<\/a><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 18,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 28,\r\n \"classes\": \"event event-rahmenprogramm event-grey\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/01\/Lipstick2_HD.png\",\r\n \"align\": \"bottom\",\r\n \"row\": 19,\r\n \"col\": 4,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1.1,\r\n \"push\": 4,\r\n \"relid\": 148,\r\n \"attid\": 36,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/01\/Lipstick2_HD.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/01\/Lipstick2_HD-768x768.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/01\/Lipstick2_HD-512x512.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/01\/Lipstick2_HD-265x265.png\"\r\n },\r\n \"w\": 911,\r\n \"h\": 911,\r\n \"ar\": 1,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

kitchen table conversation<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 20,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 39,\r\n \"classes\": \"marker-3\",\r\n \"frameOverflow\": \"\",\r\n \"html_id\": \"kitchen-table-conversation\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": 21,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 40\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

A conversation about theatre<\/strong>.
Hosted by teenagers associated with JES and Sch\u00f6ne Aussicht, as well as TEEN Ambassadors from Denmark and Italy.<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 22,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 41\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The kitchen table conversations are an activity developed by the Theatre European Engagement Network (T.E.E.N.) run by Segni d\u2019infanzia (Italy), Cultuurcentrum Hasselt (Belgium), Dialogue Community Performance (UK), \u201dla Caixa\u201d Foundation (Spain), Scenekunstbruk (Norway) and Teatercentrum (Denmark) the program was Co-founded by the Creative Europe Programme of the European Union and since 2019 have been held at festivals all over Europe.<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 23,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 44\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Find out more<\/a><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 24,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 45,\r\n \"classes\": \"buttonstyle\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The conversation will be held in English.
Saturday 14th of May 2022 at 10:00h in the kitchen.
CLOSED ENCOUNTER \u2013 INVITATION ONLY \u2013 VERY LIMITED CAPACITY
To attend the kitchen table conversation as an audience member you have to be invited by the hosts.<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 25,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 42\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/logo-teen.png\",\r\n \"align\": \"bottom\",\r\n \"row\": 26,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 548,\r\n \"attid\": 266,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/logo-teen.png\"\r\n },\r\n \"w\": 204,\r\n \"h\": 128,\r\n \"ar\": 0.6274509803921569,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

TEEN Kitchen Table Manifesto (written by the TEEN Ambassadors)<\/span><\/h1>

Rule One
<\/strong>The room must be set out to resemble a kitchen table.<\/span><\/p>

Rule Two
<\/strong>There has to be food at the Kitchen Table.<\/span><\/p>

Rule Three
<\/strong>The moderator should be a Teenager.<\/span><\/p>

Rule Four
<\/strong>The Teenagers are the experts and the adults in the audience are the students.<\/span><\/p>

Rule Five
<\/strong>Whilst it is important that the audience is involved, the discussion should focus on the opinion of the Teenagers, so adults should listen and raise their hand if they want to talk. There may be a spare seat at the table which the Teenagers can use for inviting adults to the table, if they wish.<\/span><\/p>

Rule Six
<\/strong>Comments from the audience should last no longer than three minutes, unless it is agreed upon by the teenagers to grant the speaker more time.<\/span><\/p>

Rule Seven
<\/strong>Opinions should be supported by experiences, or at least examples.<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 27,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 43,\r\n \"frameOverflow\": \"\",\r\n \"classes\": \"blue-box\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

HOLD ON - Bright and other thoughts<\/h1>\",\r\n \"align\": \"middle\",\r\n \"row\": 28,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 38,\r\n \"classes\": \"marker-3\",\r\n \"html_id\": \"moment-mal\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"middle\",\r\n \"row\": 29,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 37,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Dear audience,<\/p>

at Bright View, a lot takes place not only onstage but also in our heads \u2013 new impulses or images that are familiar but long forgotten can set many thoughts and feelings into motion in the blink of an eye. And it is precisely this moment that I would like to capture. Be it a new thought, a surprising feeling or questions that you would like to explore more deeply after a performance.<\/p>

To make sure that these special moments are heard and captured, I am available in the short breaks between performances as a mental sparring partner to exchange thoughts and ideas. I look forward to meeting you at the Agora and listening to your thoughts!<\/p>

Kind regards
Meryem<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 30,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 34\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The spoken word artist attends and observes <\/span>the festival. Every day she shares <\/span>a text about what she saw, thought and <\/span>spoke about.<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 31,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 46\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Visit the Padlet<\/a><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 32,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 47,\r\n \"classes\": \"buttonstyle\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/01\/Antilopen_HD.png\",\r\n \"align\": \"top\",\r\n \"row\": 33,\r\n \"col\": 5,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1.1,\r\n \"push\": 5,\r\n \"relid\": 418,\r\n \"attid\": 30,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/01\/Antilopen_HD.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/01\/Antilopen_HD-512x816.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/01\/Antilopen_HD-265x423.png\"\r\n },\r\n \"w\": 629,\r\n \"h\": 1003,\r\n \"ar\": 1.5945945945945945,\r\n \"alt\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

BRIGHT DESCRIPTION \u2013 Sharpen the critical eye<\/span><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 34,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 48,\r\n \"classes\": \"marker-1\",\r\n \"html_id\": \"schoenes-beschreiben\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 35,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 51\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Theatre criticism is an endangered art. The reviews in newspapers, magazines or radio are becoming fewer and shorter. As a result, an important component of communication about theatre \u2013 criticism as part of the public discourse on the art of theatre and as a mirror of our artistic work \u2013 increasingly recedes into the background. There are equivalents in social media or in blogs, but far too few and often not yet fully developed. As a reaction to this development, Manfred Jahnke offers a practical seminar in theatre criticism for volunteers of the regional media at BRIGHT VIEW. A similar intensive seminar was successfully held under his direction at the Panoptikum Festival in Nuremberg in February. The seminar will give a basic insight into theatre as an institution, the history of children's theatre and the theory and practice of writing reviews. And in addition includes attending selected guest performances at the festival, sharing what has been seen, talking to performing artists and finally writing and discussing sample reviews. <\/span><\/p>

Manfred Jahnke is an institution in German- language theatre for young audiences, a freelance theatre scholar, theatre teacher, dramaturgy consultant and, above all, a theatre critic (e.g. Die Deutsche B\u00fchne) with a focus on theatre for young audiences for many years.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 36,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 49,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Bright Celebrations<\/span><\/h1>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 22\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 23,\r\n \"classes\": \"whiteline\"\r\n },\r\n {\r\n \"type\": \"elementgrid\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 10,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"config\": {\r\n \"desktop\": {\r\n \"colCount\": 2,\r\n \"colGutter\": 5,\r\n \"rowGutter\": 5\r\n },\r\n \"tablet\": {\r\n \"colCount\": 2,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 1\r\n },\r\n \"phone\": {\r\n \"colCount\": 1,\r\n \"colGutter\": 10,\r\n \"rowGutter\": 10\r\n },\r\n \"layoutType\": \"top-aligned\",\r\n \"elements\": [\r\n {\r\n \"cont\": \"

THE BRIGHT OPENING - Festival Opening<\/span><\/h1>

Festival Opening on Sunday May 8th, 2022, at 5pm in the JES Hall<\/span>
Free of charge - registration is required.<\/span><\/p>

Welcome to the JES!<\/span><\/p>

At the festive opening ceremony, the festival directors Brigitte Dethier and Christian Sch\u00f6nfelder, as well as the Secretary of State for Culture of Baden-W\u00fcrttemberg Petra Olschowski and the Mayor of Stuttgart Dr. Frank Nopper will answer the festival philosophers\u2019 questions. Over a glass of juice, different generations will engage in a conversation about theatre for young audiences.<\/span><\/p>

The opening ceremony will be accompanied musically by players from the \\\"hotel europa\\\" ensemble and friends.<\/span><\/p>

Afterwards we will all make a toast to an exuberant and inspiring festival!<\/span> <\/p>\",\r\n \"type\": \"text\"\r\n },\r\n {\r\n \"cont\": \"

FIRST SIGHT \u2013 Opening Party<\/span><\/h1>

on Sunday May 8th, 2022, from 9pm in the JES Foyer<\/span><\/p>

Live concert with Shelly Phillips and band: The German-American singer\/songwriter tells stories from real life, of its small joys and big pains. Modern pop sound with soul, jazz and electronic influences \u2013 great live music with lots of levity and heart.<\/span><\/p>

Afterwards, we plunge head over heels into our first festival date: love at first beat. Palpitations, sweaty palms ... do you come here often? We let ourselves be carried away by music from the jukebox - compiled by Anna-Lena Hitzfeld and Sebastian Brummer aka HotHotHitzlefd and Beasty Brummer. Music was my first love, but the first cut is also the deepest...<\/span><\/p>\",\r\n \"type\": \"text\"\r\n },\r\n {\r\n \"cont\": \"

FOREVER YOURS - Festival love live<\/span><\/h1>

The big festival closing party on Saturday May 14th, 2022, from 9:30pm<\/span><\/p>

I can't live, if living is without you... cause all of me loves all of you, love your curves and all your edges, all your perfect imperfections - is this burning an eternal flame? <\/span>
The latest edition of the legendary festival Liebesleben: HotHotHitzlefd and Beasty Brummer give it their all. Don't leave me this way! We hate goodbyes, so we're going party to the fullest again. Cause this love could last a lifetime...<\/span><\/p>\",\r\n \"type\": \"text\"\r\n }\r\n ]\r\n }\r\n }\r\n ],\r\n \"align\": \"middle\",\r\n \"row\": 37,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 25\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/01\/Voegel_HD.png\",\r\n \"align\": \"top\",\r\n \"row\": 38,\r\n \"col\": 4,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": -5,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1.1,\r\n \"push\": 4,\r\n \"relid\": 375,\r\n \"attid\": 29,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/01\/Voegel_HD.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/01\/Voegel_HD-768x664.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/01\/Voegel_HD-512x442.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/01\/Voegel_HD-265x229.png\"\r\n },\r\n \"w\": 869,\r\n \"h\": 751,\r\n \"ar\": 0.8642117376294591,\r\n \"alt\": \"\"\r\n }\r\n ]\r\n}","_links":{"self":[{"href":"https:\/\/www.schoene-aussicht.org\/2022\/wp-json\/wp\/v2\/pages\/443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.schoene-aussicht.org\/2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.schoene-aussicht.org\/2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.schoene-aussicht.org\/2022\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.schoene-aussicht.org\/2022\/wp-json\/wp\/v2\/comments?post=443"}],"version-history":[{"count":0,"href":"https:\/\/www.schoene-aussicht.org\/2022\/wp-json\/wp\/v2\/pages\/443\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.schoene-aussicht.org\/2022\/wp-json\/wp\/v2\/media?parent=443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}